At bedtime as a kid my dad would tell stories about an imaginary guy named Tiny.
Tiny was little - maybe as tall as a penny if you stood one on its edge. I never learned the details of what he looked like but my imagination suggests he resembles a miniature version of Ernie from Sesame Street. Tiny lived in my younger brother Brian's pant cuff, of all places, which means he would travel wherever Brian went (unless my brother wore shorts I guess). My memory is hazy but neighborhood bike rides or digging in the sandbox or playing tether ball probably consisted of adventures for Tiny.
Everything is bigger when you're a kid so even a trip down the block represented an epic tale, even if in each instance he was to return to the relative safety of Brian's pant cuff. In addition to the song Blue Spanish Eyes and some story about an invisible creature that scared me to death, this is what I remember experiencing before bedtime as a child.
My contribution to the legacy of child storytelling is now unfolding with Audrey. Instead of Tiny it's a small pink dragon and, to steal somewhat from my father, she travels around in Grace's pant pocket. Her name is Elizabeth and she is quite friendly, even if she does breathe fire every now and again.
The way we settled on the idea of a pink dragon named Elizabeth already eludes me but now, at bedtime, Audrey will ask for a story and when I respond, "What kind of story?" she says, "One about a dragon," and when I ask, "What color dragon?" she says, "Pink." There is no doubt that if I asked, "Which pink dragon do you have in mind?" that she would state, "Elizabeth," but I haven't asked her that yet.
I have to make up my stories on the fly and sometimes I think they turn out great and sometimes I think they flop. But Audrey always thinks they are great and sometimes laughs which is what is so nice about telling stories to your own toddler - they love you no matter what.
The setting of each story is the same as when I was learning about Tiny - stuff around the neighborhood, the yard, the house and so on. Sometimes other dragons (green ones, blue ones, yellow ones, etc.) are part of the story. And each time Elizabeth returns to Grace's pant pocket to reside with the lint and whatever else may be hiding in there.
I've discovered the setting or the story isn't really the point though, even though I feel pressure to make the story interesting and tell it well. The point is that I have Audrey's undivided attention and she has mine - it's special father-daughter bonding time - and she likes it enough to ask me to do it again the next night. That's what makes it worthwhile. That, and it keeps me sharp, since I've got to do it on the fly. I wonder what the next installment will be like.